Praeludium& Allegro – Fritz Kreisler
FritzKreisler referred to as Friedrich is known to be a great Americanviolinist having been born in Australia. Well, Kreisler’s bizarretalent showed itself when he was still young although it is allegedthat it was through his father’s help that made it possible. Hegave his first performance at the age of 9 when schooling in ViennaConservatory and at ten, he bagged a gold medal. Later, at ParisConservatory Kreisler studied violin and composition referred to asMassart and Delibes respectively before making his U.S firstperformance hosted in Boston in the year 1888 (Harwood527).With what is seen as a moderate adventure, he toured the country fromplace to place before he returning to Europe.
ThePraeludium and Allegro can be described as a short piece of musicarrangement due to its structure. It actually appears in manners thatvary from piece to piece. One can compare presidium and Allegro to apreface thought they are notable differences. Kreisler majored inthis type of music arrangement and performed in various cities inAmerican in the early 90s. For instance, looking at how this type ofmusic was done during the Baroque era, it is likely to have served asan introduction that would later be followed by work movements thatappear to be much longer as well as complex. Moreover, this type ofmusic can be presumed to be a piece of artwork that looked impartialmore so during the romantic era. One may argue that this kind ofmusic, in general, has a composition of a little number of rhythmicincluding the melodic motifs. This are the two music aspects thatrecur or rather repeat in the piece.
Partitain E major: Preludio – Johann S. Bach
ThePartita number 3 in E major a music set piece done by a person knownas Johanna S. Bach for the solo violin. This partita E major isactually the final job done by Johanna on the set of what is famouslyknown as six sonatas & partitas. This final set piece is composedof movements such as a gigue, Preludio, bouree, minutes both 1 andtwo and lastly Gavotte en Rondeau. This set piece is credited intaking close to 20 minutes to complete performing it fully. Well,digging in some history, it is important to note that the wholePartita is written down by this man Johanna Bach. This music artpiece is widely referred to as BWV 1006a just like the inventordeveloped it and gave it that title. Wilhelm Tappet in 1990 who atthis time acted as the organist made claims that this kind ofarrangement was meant for lute solo. Tappets remarks about thisarrangement were outweighed by the present research that proves thatthey are not for a specified music instrument (Balkwill342).Practically, research indicates that the recordings that can commonlybe tracked are known as the prelude. This is the most commonly foundrecording that commonly demand advanced bowing techniques. They arealso alleged to contain in their setting semiquavers almost entirely.However, that is when talking about the 16 notes. It is worth notingthat Johanna Bach for solo organ, strings, trumpets as well as oboesnotably in the opening Sinfonia of the cantata. This opening Sinfoniaincludes the BWW 29, Gott, Wir dank dir including the dank dir allfound in major D. he further uses them in introducing the second partof the cantata. There is also the Gavotte en Rondeau that has areputation of having a great audience in the TV and radio programs(Harwood533).Moreover, this is with the aid of its famous inclusion in the VoyagerGolden Record.
Sonatinain A minor, Op.137 – Franz Schubert
FranzSchubert had the violin as the very first music instrument he camealong and had the chance to study. He and his older brother Ignazunderwent piano lessons not until it reached a time when a group of 4family members called for him and assigned him a chamber musiclaboratory. This happened this all happened when Franz was still inhis teenage hood. Between the years, 1810-1811 were a period filledwith quartets, and he was affiliated with them until 1816. This isthe year when Franz turned his attention to solo violin works. He didso when in groups of dances and most notable instruments were thefour comic handlers for 2 violins as well as a set composed ofsonatas for violin including a piano. In an appeal to capture thedomestic market that still was young, Diabelli in the year, 1836 wasthe first person to publish these arrangements as Sonatinas in Aminor (Peake 517). The original manuscript produced by Franzrecognized them as sonatas for a piano and a violin accompaniment.Most researchers believe it was so due to the common practice ofadopted a period earlier and at that time. This is perhaps the reasonas to why the violin sonatas of Mozart, as well as Beethoven, arealso included. The first two of this group were written by Schubertin 1816, and the third one followed a short while later.
BalkwillanThompson.."Recognition of emotion in Japanese, Western,and Hindustanimusic by Japanese listeners".Japanese Psychological Research 46:337–349. 2009. Print.
Harwood,Dane (1976)."Universalsin Music: A Perspective from Cognitive Psychology". Ethnomusicology 20(3): 521–33, 1976. Print
PeakeLuise Eitel "Song". TheNew Grove Dictionary of Music and Musicians,sixth edition, 20 vols., edited by Stanley Sadie, Vol. 17: 510-523.London: Macmillan Publishers, 1980. Print.